This American Life Live! was presented exclusively in select theatres by National CineMedia's (NCM) Fathom, in partnership with BY Experience and Chicago Public Radio, and in association with Public Radio International. PRI conceived and spearheaded This American Life Live! in partnership with Ira Glass and WBEZ Chicago. On May 1, 2008, PRI was the first major public media outlet to use digital cinema and one of the first mass media companies overall.
Public radio international content channels full#
The program successfully launched April 28, and full national launch was expected June/July 2008. This program's editorial partners include The BBC World Service, The New York Times, and WGBH Radio Boston. In January 2008, PRI and WNYC announced that the name of their new morning drive news program is The Takeaway with John Hockenberry and Adaora Udoji. In September, PRI and Symphony Space of New York City announced that PRI would become the national distribution partner of Selected Shorts, which had previously been distributed by National Public Radio. Co-produced by PRI with BBC World Service and WGBH Radio Boston, it was the first daily news co-production ever undertaken by the BBC. In 1996: PRI's The World premieres, presenting issues and events "through a global lens" to American audiences. In 1995: PRI launches Classical 24, public radio's first 24-hour classical music service, as a co-production with Minnesota Public Radio. In 2020, the last remaining PRI program other than The World, Studio 360, aired its last episode, concluding with the PRI station ID. Both networks maintained separate identities and programming until 2019, when the Public Radio International branding was retired. Public Radio International and Public Radio Exchange merged in 2018. In 2012, PRI was acquired by the WGBH Educational Foundation. In 2004, Minnesota Public Radio left PRI and began distributing its own shows (including A Prairie Home Companion and Marketplace and excluding Classical 24) through its newly created arm, American Public Media. This evolution in the company began with PRI's The World, originally a co-production among PRI, the BBC World Service, and WGBH. In the mid-1990s, PRI began to expand its reach by producing programming in addition to distributing programming. The corporation changed its name to Public Radio International in 1994 to reflect its growing interest and involvement in international audio publishing, as typified by its many collaborations with the BBC. Five stations established American Public Radio as a syndicate: the Minnesota Public Radio network, KQED/San Francisco, WNYC/New York City, WGUC/Cincinnati, and KUSC in Los Angeles. PRI was founded in 1983 as American Public Radio as an alternative to NPR for public radio program distribution. Less than 2% of the overall operating budget came from United States government agencies. PRI programming received funding from station fees, corporate underwriting, and individual and corporate grants.
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Foster Peabody Award, Golden Reel Award and Gabriel Award. PRI's programs won awards for quality and innovation, including the DuPont-Columbia Award, Scripps Howard Award for Excellence in Electronic Media/Radio, George M.
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According to the 2017 Nielsen Audio ratings, 8.1 million people listened to PRI programming each week. Public Radio International said its mission was to "serve audiences as a distinctive content source for information, insights and cultural experiences essential to living in our diverse, interconnected world." Īpproximately 850 radio station affiliates and other audio venues broadcast, streamed and downloaded PRI programs. PRI offered over 280 hours of programming each week to stations and listeners. PRI, along with NPR and American Public Media, was one of the largest program producers and distributors of public radio programming in the United States. Programs on PRI-sometimes mis-attributed to National Public Radio-were produced by a variety of organizations, including PRI in the United States and other countries.
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Among its programs were the global news program The World, which PRI co-produced with WGBH Boston. In the United States, PRI distributed well-known programming to public radio stations.